The PR 20 has a large diaphragm providing a wide frequency range, with excellent upper mids. The PR 20 does a great job of rejecting side & rear noise (minimizing feedback), and it is tough enough to withstand real-world usage. These attributes make the entire PR & RC series not only great rock music microphones, but they are also great for country, metal, jazz, funk, blues, rap, and opera.
With the PR 20, you get three interchangeable acoustically identical mesh screens (silver, black, and gold), along with additional black acoustical foam windscreen, padded carrying case, and a mic stand clip.
With the PR 20 UT you get the PR 20 with a stainless mesh screen, mic clip, black foam acoustical wind screen, in a vinyl zipper carrying bag.
- Output Connection: 3 pin XLR
- Element Type: Dynamic
- Frequency Response: 50 Hz – 18 kHz
- Polar Pattern: Cardioid
- Rear Rejection 180° off axis: -30 dB
- Impedance: 600 Ohms balanced
- Output Level: -55 dB, 1 kHz
- Weight: 14 Oz
- Max SPL: 145 dB